Born in South Africa and drawn to the United States in the early 1980s, I came of age between two worlds: the vivid intensity of southern Africa and the expansive landscapes of the American West. That experience of living between cultures, places, and ways of knowing remains the invisible architecture beneath everything I create.

Before becoming a full-time artist, I worked as a researcher, educator, community builder, and student of theology. Those years taught me to look closely—at patterns, at relationships, and at the deeper currents that shape human experience. They also taught me that some truths cannot be measured or explained. They must be felt.

A profound family tragedy redirected my life and ultimately led me to the studio. Paint and collage became a language for navigating grief, uncertainty, and transformation. The layered canvas became both sanctuary and map—a place where questions could be held without requiring immediate answers.

Today, my mixed-media work explores memory, imagination, symbolism, and the tensions between certainty and mystery. Through layers of paint, paper, thread, and image, I seek to create spaces for contemplation—places where personal experience intersects with something larger and more universal.

I am drawn to thresholds: between order and dissolution, the known and the unknown, loss and possibility. Rather than resolving these tensions, my work invites viewers to inhabit them, trusting that meaning often emerges not from certainty, but from attention.

I split my time between Kohala, Hawaiʻi and California's Central Coast, two landscapes of extraordinary light that continue to shape my sense of color, place, and wonder.

I have lived long enough to hold paradox without needing to resolve it—and engaged enough, still, to care deeply about what happens next. Both of those things find their way into my work.